Sometimes story comes first, sometimes form does. And sometimes they grow together, in an organic way. That was the case of Ekert: A Model Kit, the seventh episode of the Pioneers series. We were experimenting on the set, with Artur Ekert, looking for a proper flow (some early beta testers of the movie ask if we were high when filming – we were definitely not), and then I continued home, editing.
Striking a proper aesthetic mode that would correspond to the subject matter, which is the idea of quantum multiverse, was a challenge. My intention was to bring this Singaporean, equatorial, radiant, humid heat to the screen, and make it flicker, multiply, and overlap, but not in a classical way, but a possibly “quantum” one. Did I succeed – it’s not for me to judge.
This trial and error method generated a handful of by-products, teasers, two of which I decided to present below.
The movie is being now processed by Jacek Mazurkiewicz, a master of double bass – more about it soon!
Filming the seventh episode of the Pioneers series was quite an adventure – I shot Artur Ekert in Singapore, tormented him before and after sunset, and bothered him in Indonesia, when he tried (in vain) to find a hideaway.
Who is Artur Ekert? He was born in 1961, in Poland. He is a physicist, mathematician, and one of the inventors of quantum cryptography and quantum information science.
Here he explains how to keep secrets in a world of mistrust – in a little movie we shot in Singapore, announcing an article by Artur Ekert and Renato Renner that was published in the 27 March issue of Nature, the weekly international journal of science:
Artur Ekert is a professor at the University of Oxford and the National University of Singapore, a top notch security advisor, a founder of the Centre for Quantum Computation at Cambridge, and the director of the Centre for Quantum Technologies in Singapore. Artur Ekert has been awarded the Maxwell Medal, an Institute of Physics Prize, the Hughes Medal, and the European Union Descartes Prize. He’s also a Royal Society Fellow.
In real life he is an easygoing chap with one funny quirk – he is unbelievably poorly localized, just like a quantum object (have a look at the video we filmed four years ago, above). Artur Ekert has to be chased, which – action wise – is not the worst kind of situation you can imagine…
More about the movie soon. Today let me share a few freeze frames – and a teaser trailer (top). Enjoy!
Yes – regarding media footprint you might also know Artur Ekert from Reality Lost, or the pilot of Breaking the Codes, the movie we’ll shoot one of these days.
Technology equals empowerment. And empowered by the camera (a new Sony, A6300) that I acquired especially for shooting in difficult conditions in Singapore (more soon) I experimented with some semi-astro photography.
And that was a blast – without any major effort one can expose successfully quite a chunk of a night sky, plus everything below, in detail. Understanding what you actually managed to frame out there, in the cosmos, is another thing, but pleasure was immense.
By the way – this is not a Super Moon, as one could suspect. Just a regular one.
It didn’t happened overnight, but it did. You might have noticed that I’ve become one of them – dirt bikers. Since my old Honda is not capable of any high speed, high power extravaganza, I tend to stay on the sluggish side – but can’t stop thinking of switching to something of a higher number of hp.
Yes, it’s like an addiction.
All pictures taken with the first iteration of Sony RX100, the best pocket photo camera ever (this blog is not supported by Sony).
A Drinking Bird Mystery deals with a drinking bird mystery, of course. But there’s another mystery: how good music transforms a movie, how it elevates a movie. Especially if the music itself is a crucial part of the story. Just like in the Charles H. Bennett’s case.
Boyd F. C. Bennett father was a musician and a talented composer, based in upstate New York. His legacy continues embodied by the Bennett Conservatory of Music in Croton on Hudson, which he co-founded in 1950. It is also transmitted into the future encoded as musical scores. Having been granted access (courtesy Charles H. Bennett) to some of them I discovered that this is exactly the kind of the music that I had been looking for.
A kind of intelligent playfulness marked by occasional darker undertones characteristic for Boyd F. C. Bennett’s compositions perfectly matched the persona of the protagonist, the ambience of locations – and the story itself.
Since I’m a musical troglodyte I badly needed an expertise – and someone able to actually play the score right. The help was impersonated by Jan Bokszczanin, thoroughly educated Russian born Polish musician and organ pipe virtuoso (follow him, he is not only a great musician who plays in places like the Notre Dame cathedral in paris, but also a devoted teacher and local activist). All the music by Boyd F. C. Bennett used in the movie is played by Jan.
There is also other composers’ music in A Drinking Bird Mystery, like this beautiful Alexandre Tansman’s Sonatina, recorded by Jan Bokszczanin and Paweł Gusnar on New Polish Music for saxophone and organ (Musica Sacra Edition, 2007).
Some time ago I showed you an early teaser of A Drinking Bird Mystery, the sixth installment of the Pioneers series. The movie is my attempt at compressing some aspects of Charles H. Bennett’s genius, wit, and charm into sixty minutes long piece of a narrative.
Since I am not allowed to present the whole episode (it’ll premiere in a few months time), I’d be happy to expose you to this trailer (below). I think it’s quite representative of the entire thing.
The movie revolves around the motive of remembering, attempts of saving small past events that went unnoticed, and the process of solidifying them by film and photography.
The polaroids you can see below play a vital role in the movie. All of them were taken by Charles H. Bennett at locations we visited while filming. They might appear grim, but don’t be mistaken – the movie is not.
Yes, reality must have accelerated too much to keep up with it – leaving this blog in a slow lane. But nothing was lost. Records of the past have been kept – and will be revealed in subsequent posts.
First – Cracow and the 3rd edition of Copernicus Festival. Three of “my” real life Pioneers were invited by the organizers (Jacek Ślusarczyk from Tygodnik Powszechny was behind it) of this intellectual multithreaded May feast.
Greg and Virginia Chaitin flew straight from Brazil, Julian Barbour came from a pre-Brexit England – all of them in order to discuss the meaning and role of the notion of beauty… no, no, I should say Beauty – in science. And in this thing we call life too, of course.
Having a spare morning we hiked with Julian in Kraków-Częstochowa Upland – guided by Piotr Seweryn, and chased by the rain which made it even more fun, considering the absolute lack of tread on the noble physicist’s shoes. We shot this short promotional video by the Prądnik river (of time).
Yes, yes, you’ve guessed it right: Julian Barbour’s Bottom’s Dream had its DVD premiere – this July! And Against the Method a month later! Things are happening, don’t they?
Here’s an Against the Method DVD trailer. Watch and check for yourselves why wearing a hat in a right way is wrong.
Below you’ll find Julian’s and Greg’s lectures, and the discussion they took part in, joined by Michał Heller, an astrophysicist, cosmologists, philosopher, the head of the Copernicus Center, and also the spiritus movens of the festival.
Those three hour long events are definitely worth watching in full extent.
Both Bottom’s Dream and Against the Method had their screenings (followed by solid discussions) at Mikro, a cuddly shabby cinema that somehow manages to stand the wave of commercialization and gentrification.
Here are some great photos – courtesy of Kamila Zarembska-Szatan.
In order to prove that Pioneers are real people enjoying both intellectual and more visceral, night pleasures I dare to attach photos taken at a retro bar (which location I can’t reveal without killing you all). It’s a place which you can be exposed to by a local only.
No soft drinks there.
Ah, yes – and there was a sunny coda in Warsaw: Greg and Virginia embarked a pendolino train to pay a sentimental visit to Mokotów, the place where Virginia spent some of the best years of her childhood. Come more often!
To Virginia, Greg, Julian, and the whole Cracow embodied by the people too numerous (Jacek Ślusarczyk, Bartosz Brożek, Diana Sałacka, Bartosz Janik, Piotr Krasnowolski, Marta then Czubajewska, Piotr Seweryn and many others) to be listed here: that was a splendid May week – and a proof that something as ethereal as a movie can have such a wonderful and memorable side effects.
The final cut should be ready in two, three months, then the movie will be queued for distribution (I’ll keep you posted on the progress), but I’ve just prepared an early alpha teaser v 1.0 – to be, hopefully, enjoyed right now (above).
Charles H. Bennett is widely known for his research in quantum information field. If fact he is one of the very creators of it. He was involved in the milestone discoveries of quantum cryptography and quantum teleportation, both theory and experiment wise. In 1984, with Gilles Brassard, he developed the first quantum cryptography protocol. Then, in 1993, he went even further, proposing a scheme of transmitting quantum information from one location to another (in collaboration with Gilles Brassard, Claude Crépeau, Richard Jozsa, Asher Peres, and William Wootters). But the movie will focus on something completely different – on Charles Bennett’s recent, more philosophical musings.
In this sixth episode of Pioneers Charles will tell a story of the past. More precisely – on the ambiguity of the past, and the complexity of the present. We’ll look for the answer for the question of the ontological status of the past. In other words: we’ll try to explain what facts of the past can be truly and entirely recovered from their physical traces in the present.
We’ll follow some of those tiny events, like water droplets evaporating in the desert heat, waves shaping surface of a forest lake, asking whether they’re doomed to be entirely forgotten – or not.
We spent three crazy days filming the episode in the autumn woods of Massachusetts and Upstate New York. That was a fabulous intellectual ride!
And here’s more – some time ago Charles, a physics trained natural born humanist, introduced a provocative idea of mathematical ethics. Here’s is a conversation on the topic.
It’s a part of jam session with Vlatko Vedral, quantum mechanics maverick from Centre for Quantum Technologies, National University of Singapore, and University of Oxford (many thanks, Vlatko), that I arranged and filmed two years ago, when Charles Bennett was visiting Singapore.
At some point, when time allows, I’ll try to properly edit the rest (slightly more specialistic) of the footage. But even whose eight minutes of discussion between two gentlemen is something truly worth your attention.
And if you’re intrigued by the persona of Vlatko Vedral (you definitely should), I’ve got yet something else. In this short film that I also shot in Singapore Vlatko presents his intriguing views on the fabric of reality. Have fun!
Oh yes – I would almost forget: Charles Bennett is one of the key protagonists of Reality Lost, a documentary that presents paradoxical outcomes of two quantum revolutions – the movie made in anticipation of the third one.
Reality Lost was produced by Centre for Quantum Technologies at National University of Singapore, written, directed and shot by me – with a huge and lasting support of Artur Ekert and Dag Kaszlikowski.
Below you’ll find an excerpt on quantum cryptography (the BB84 protocol, to be precise). All the excerpts are collected here.
And a bonus scene: Artur Ekert, Gilles Brassard, and Charles H. Bennet reminisce about the beginnings of quantum information theory and foundations of quantum mechanics research. There’s more of bonus scenes, of course.
The eternal problem with b-rolls is as follows: either you have too much of an additional footage, or too little. Usually the latter is the case, of course.
To collect a proper amount of illustrative footage that would constitute a visual context and, sometimes, provide a subtext to the story told by Freeman Dyson, I drove to Sandy Hook, NJ, I spent a day filming in Queens, NY, and one hectic autumn evening at Coney Island, NY. And not a second of that footage, taken not without an effort, made it to the movie. After days of considering various options I decided to stick to the solid Aristotelian unities of action, time, and space, limiting visual chaos to the absolute minimum.
The space is provided by the surroundings of the Institute for Advanced Study in Princeton, NJ, by changing color of the foliage, by changing weather, altering humidity, shifting ambience. You’ll see how it works, if it works, when this episode of Pioneers has its premiere.
I decided to utilize that Coney Island footage, though, in a more or less creative way, by preparing a meditative teaser of the movie. For your enjoyment, of course.
Freeman Dyson explains what his notion of god is, what role the mind might play in the universe – and what the world-soul is.
This is a personal website of Karol Jalochowski, a science journalist, reporter, and documentary film maker of POLITYKA weekly (supported by CQT/NUS).